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Every Katrich Vessel |
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All Vessels are Unique in Design and Execution |
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Winter-Summer, 2010, for the Arts & Crafts Conference in NC, and both the AAPA Convention & Pottery Lovers Reunion in OH. |
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Winter, 2010, for the New York Ceramics Fair, NYC. |
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Fall, 2009, for the Columbus Art Pottery Exhibition in Ohio, and for Barbara Gerr Antiques (Arnie Small) at the NY Pier Show, and for The Showplace in Manhattan. |
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Summer, 2009, for the Pottery Lovers Reunion Show in Zanesville, Ohio, and for The Showplace in Manhattan. |
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Spring, 2009, for the AAPA Art Pottery Show & Sale, Philadelphia. |
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Winter, 2009, for the Arts & Crafts Conference in Asheville, North Carolina. |
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Winter, 2009, for the New York Ceramics Fair, NYC. |
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Fall, 2008, for the NY Pier Antiques and Art Show, and for The Showplace in Manhattan. |
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Summer, 2008, for the Pottery Lovers Reunion Show in Zanesville, Ohio. |
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Spring, 2008, for the American Art Pottery Association Show & Sale, Philadelphia. |
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Winter, 2008, for the Arts & Crafts Conference in Asheville, North Carolina, and for The Showplace in Manhattan. |
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Fall, 2007, for the NY Pier Antiques and Art Show, and for The Showplace in Manhattan. |
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Summer, 2007, for the Pottery Lovers Reunion Show in Zanesville, Ohio. |
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Spring, 2007, for the Arts & Crafts Chicago and American Art Pottery Association Shows. |
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Winter, 2007, for the Arts & Crafts Conference in Asheville, North Carolina. |
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Winter, 2007, for the New York Ceramics Fair, NYC. |
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Fall, 2006, for the Fall New York Antiques and Fine Art Fair, NYC. |
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Summer, 2006, for the Pottery Lovers Reunion in Zanesville, Ohio. |
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Spring, 2006, for the AAPA Pottery Show, Dalton's in Syracuse, NY, and The Showplace in Manhattan. |
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Winter, 2006, for the Arts & Crafts Conference, in Asheville, NC. |
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Winter, 2006, for the New York Ceramics Fair, NYC. |
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Fall, 2005, for the Pottery Expo in Old Greenwich, Connecticut, and for the Showplace. |
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Summer, 2005, for the Wendy Fall Fair in NYC. |
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Summer, 2005, for the Pottery Lovers Reunion in Zanesville, Ohio. |
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Winter-Spring, 2005, for the AAPA Convention and Show in Cincinnati, Ohio. |
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Winter, 2005, for the Arts & Crafts Conference in Asheville, NC. |
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Fall-Winter, 2004-05, for the New York Ceramics Fair, NYC. |
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Summer, 2004. |
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Spring, 2004, for the Solo Exhibition in New York City. |
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Winter, 2004, for the Arts & Crafts Conference in Asheville, NC. |
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Winter, 2004, for the New York Ceramics Fair, NYC.. |
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Fall, 2003. |
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Summer, 2003. |
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Spring, 2003, for the AAPA Convention and Show, Cincinatti, Ohio. |
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Winter-Spring, 2003. |
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Winter, 2003, for the Arts & Crafts Conference in Asheville, NC. |
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Fall, 2002. |
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Summer, 2002. |
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Spring, 2002. |
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Winter, 2002, for the Arts & Crafts Conference in Asheville, NC. |
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Fall-Winter, 2001-02. |
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Summer, 2001. |
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Spring, 2001. |
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Winter, 2001, for the Arts & Crafts Conference in Asheville, NC. |
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Fall-Winter, 2000-01. |
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Summer, 2000. |
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Winter-Spring, 2000. |
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Fall, 1999, for the first Katrich Exhibition. |
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Summer, 1999. |
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Spring, 1999. |
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Winter, 1999. |
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Fall, 1998. |
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Summer, 1998. |
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Fall-Spring, 1997-98. |
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Sculptural works made from 1995-1997. |
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Paul J. Katrich
Positively Unique and Rather Extraordinary Luster Pottery
(for Unique and Extraordinary People)
Luster Vessels Created by
Paul J. Katrich for the 2010
New York Ceramics Fair
January 19-24, 2010
![[NY Ceramics Fair - National Academy Museum]](http://www.katrich.com/namuseum.jpg)
National Academy Museum,
1083 Fifth Avenue (at 89th),
New York City.
Sold Out on Opening Night
Bloomberg.com mention of Paul J. Katrich at the 2010 New York Ceramics Fair:
New York's Park Avenue Set Ignores Dow's Slump, Shops for Art
By Lindsay Pollock
"Jan. 23 (Bloomberg) -- New York's Park Avenue set has begun buying art again -- battered stock markets be damned! -- judging from the buzz and sales Thursday at the opening night of the 56th Winter Antiques Show.
"Several other art souks have sprung up around New York, timed to coincide with the Winter Show, including the New York Ceramics Fair at the National Academy Museum & School of Fine Arts.
"While most of the ceramics fair seemed sleepy Thursday afternoon, Paul J. Katrich's shiny glazed vessels were a hot item. Katrich sold out a dozen within the first hour of the fair and stuck a handwritten sign in his glass vitrine reading "Sold Out! We Love New York." His work sells for $400 to $4,000.
""If you don't blow your own horn, who is going to do it for you," Katrich said."
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Infinite Meadows of Heaven
Luster Vessel 1405.
Vessels by Paul J. Katrich
Created in Winter, 2010, for
The New York Ceramics Fair
To see a larger photograph,
please click on an image.
![[Iridescent Pottery by Paul J. Katrich (1394)]](http://www.katrich.com/1394a.jpg)
Luster Vessel 1394 (6").
![[Iridescent Pottery by Paul J. Katrich (1395)]](http://www.katrich.com/1395a.jpg)
Luster Vessel 1395 (5-1/4").
![[Iridescent Pottery by Paul J. Katrich (1396)]](http://www.katrich.com/1396a.jpg)
Luster Vessel 1396 (5-1/4").
![[Iridescent Pottery by Paul J. Katrich (1397)]](http://www.katrich.com/1397a.jpg)
Luster Vessel 1397 (4-3/4").
![[Iridescent Pottery by Paul J. Katrich (1398)]](http://www.katrich.com/1398a.jpg)
Luster Vessel 1398 (6-1/2").
![[Iridescent Pottery by Paul J. Katrich (1399)]](http://www.katrich.com/1399a.jpg)
Luster Vessel 1399 (6-1/4").
![[Iridescent Pottery by Paul J. Katrich (1400)]](http://www.katrich.com/1400a.jpg)
Luster Vessel 1400 (6-1/4").
![[Iridescent Pottery by Paul J. Katrich (1401)]](http://www.katrich.com/1401a.jpg)
Luster Vessel 1401 (7").
![[Iridescent Pottery by Paul J. Katrich (1402)]](http://www.katrich.com/1402a.jpg)
Luster Vessel 1402 (7").
![[Iridescent Pottery by Paul J. Katrich (1403)]](http://www.katrich.com/1403b.jpg)
"Circular Prisms"
Luster Vessel 1403 (10").
![[Iridescent Pottery by Paul J. Katrich (1404)]](http://www.katrich.com/1404b.jpg)
"Green Metropolis"
Luster Vessel 1404 (12-1/4").
![[Iridescent Pottery by Paul J. Katrich (1405)]](http://www.katrich.com/1405d.jpg)
"Infinite Meadows of Heaven"
Luster Vessel 1405 (16-1/4").

Katrich Booth at The New York Ceramics Fair in 2010.
![[Line]](border.gif)
Review of the 2009 NY Ceramics Fair
and Pottery by Paul J. Katrich
in Antiques and the Arts Weekly
Tenth Year for the New York Ceramics Fair
by David S. Smith, Managing Editor
New York City: "Sold Out - Thank You, New York."
Amid trepidations, market woes, reports of cautious buying and the overall chilling news surrounding the US economic climate, one exhibitor at the Caskey-Lees-produced Ceramics Fair was bucking the trends, perhaps feeling as if he was dancing on Broadway. One of a host of dealers to report healthy sales from the fair, contemporary potter Paul Katrich occupied the cat-bird seat moments after the gala preview party opened to the public as he applied red dots to every single pot on display in his booth. The dealer then turned his attentions to creating a "sold out" sign to thank his public and to promote his wares for next year's show...
"Rare," "unique," "superbly crafted" and numerous other superlatives are tossed around at the fair as if they were candy. And often times they are, sweetening the pots, chargers and other wares displayed.
"Debatably, I am the last studio potter," proclaimed Dearborn, Mich., exhibitor Paul Katrich, who specializes in creating unique glazes for his pottery. "People in the antiques trade taught me what I know," commented the dealer. Adding that antiques collectors are his major clients, one such Midwestern collector snapped up every piece available in the booth minutes after preview had opened on Tuesday evening.
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Artist's Statement for the
2009 New York Ceramics Fair
I am delighted and proud to be returning as an exhibitor for the
New York Ceramics Fair. This event is the finest of its kind in the United States.
Please visit us at our new location on the Main Show Floor, Booth 8, East Gallery.
We are showing a remarkable new group of pottery. The grouping
includes several large and important vessels, which will appeal to the
serious collector and investor.
For the convenience of our distant patrons, during the Fair all of the vessels are also exhibited and offered online,
posted with photographs, descriptions and prices.
Preference will be given to in-person patrons at the show, and items are subject to
prior sale.
Warm regards,
Paul J. Katrich
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![[Katrich Luster Pottery Booth at NY Ceramics Fair - 2009]](http://www.katrich.com/nyc09.jpg)
Katrich Booth at The New York Ceramics Fair - 2009.
![[NY Ceramics Fair - National Academy Museum]](http://www.katrich.com/namuseum.jpg)
National Academy Museum,
1083 Fifth Avenue (at 89th),
New York City.
The New York Ceramics Fair is
"for the collector, connoisseur and
curator of exceptional antique
and contemporary works in ceramics,
enamels and glass.
"This stunning show is vetted by a
jury of professionals prior to its opening.
Therefore you can feel confident to find
the presence of first-class dealers/galleries
from around the world.
"Held at The National Academy Museum and
School of Fine Arts, our exhibitors offer
exquisite examples of decorative art objects
from the earliest Classical periods to the
finest of contemporary Studio Pottery,
porcelain, glass and enamels."
[From the NY Ceramics Fair website.]
A Review of the 2007 Ceramics Fair,
and Luster Pottery by Paul J. Katrich,
Posted at Antiques and the Arts Online,
February 2, 2007, Edition
Colorful And Classical Wares At
The New York Ceramics Fair
By Laura Beach
[Selected quotes - see below for complete article link.]
NEW YORK CITY -- The New York Ceramics Fair, the eight-year-old event that annually harnesses the enthusiasms of a small but focused group of connoisseurs, kicked off New York City's Americana Week with the most zealous opening night crowd in town. Organized by Bill Caskey and Liz Lees of Topanga, Calif., this year's Ceramics Fair saw increased opening night attendance. The total gate for the week was 5,067, up from a year ago but down from 2004. Despite the decline, the bustling show was productive throughout, with curators from most of the country's leading museums making their rounds.
As identified by Chipstone Foundation's Ceramics in America, sponsor of the annual lecture series, ceramics lovers fall into several complementary groups. These camps form the major divisions of the show, which is strongest in English pottery, Chinese export porcelain, and contemporary studio pottery. In an ideal world, many other categories - Pueblo pottery, Portuguese azulejos and Peking snuff bottles, for instance - would also be included.
Among the studio potters, Paul Katrich sold 24 vessels in his signature luster glazes.
Part swap meet and part think tank, the New York Ceramics Fair wrapped up on Sunday, January 21, with collectors bereft of disposable income, perhaps, but richly stimulated by all they saw and heard. Even the loan show provided more food for thought. Essays on Don Carpentier's Stoke-on-Trent dig and on a trove of Spode artifacts that Carpentier acquired from the company in 2006 are planned for an upcoming issue of Ceramics in America.
For information, 310-455-2886 or www.caskeylees.com.
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The 2006 New York Ceramics Fair
![[NY Ceramics Fair - Contemporary Exhibition]](http://www.katrich.com/nyf06exh.jpg)
Luster vessels by Paul J. Katrich
in the Contemporary Ceramics Exhibition,
National Academy Museum, NYC,
January 18-22, 2006.
![[NY Ceramics Fair - Paul J. Katrich at Booth]](http://www.katrich.com/nyf06_pjk.jpg)
Paul J. Katrich at his booth,
The New York Ceramics Fair - 2006.
The New York Ceramics Fair is
"for the collector, connoisseur and
curator of exceptional antique
and contemporary works in ceramics,
enamels and glass."
[From the NY Ceramics Fair website.]
A review of this Fair also included
a mention of Paul J. Katrich
in The New York Times:
Review of the 2006 New York Ceramics Fair.
Internet Archive and History
We have kept this Internet archive since
the earliest existence of the vessels.
Believing Katrich Pottery to have permanent
value and historical resonance, we have
expended substantial resources, both material
and intellectual, to maintain this record.
In so much as possible, it is absolutely complete.
This documentation virtually assures the
authenticity and integrity of all Katrich vessels,
however far they may travel. Our collectors will
always enjoy total access to the true story of
their cherished pottery.
To our knowledge, no other studio pottery,
vintage or modern, can claim so sober and
comprehensive an account of unique work.
In the realm of ceramics, nothing comparable
has been attempted or so long preserved.
We welcome visitation from collectors, students,
scholars and pottery enthusiasts of every stripe.
Katrich Studios, Inc., is the ultimate authority
for the works of Paul J. Katrich.
We hope that you enjoy our efforts.
![[Small Line]](http://www.katrich.com/border2.gif)
If an Image is Missing
If any images or graphics do not appear,
click in the frame with the right mouse button
(or hold down your Mac's mouse button)
and choose the option "Show picture".
A momentary problem with the Internet
may have occurred.
Largest Images
To see the largest images at Katrich Studios,
please click on a photograph or graphic.
Most images will open in a new window.
But, some web browsers will shink our large images,
to fit in the new window.
So, to see the largest image possible, in Windows:
1. Point your mouse at the image in the new window.
2. Click your right mouse button.
3. A menu will appear.
4. Left click on "Save Image" to download a file.
5. Then in your computer, double-click the image file.
This method works for most Internet images and graphics.
A free image viewer is IrfanView for Windows.
IrfanView opens most images and graphics.
It can also "capture" a picture of your Desktop screen,
when you can not save an image, for whatever reason.
Google "IrfanView" for the latest version.

Our web site is highly recommended by Schoolzone,
Britains' premier educational site.
![[Line]](border.gif)
Design and Lecture Services
Paul J. Katrich is a modern traditionalist.
He is also a degreed Art Historian
and frequent guest lecturer in the
fine and decorative arts.
An accomplished sculptor and artist in many media,
he offers a variety of professional design services.
Mr. Katrich serves as Secretary on the Board of the
American Art Pottery Association.
"I am always delighted to speak to
you regarding your needs and interests.
I am pleased to discuss gallery and museum shows,
charitable events, commissions, lectures or
special purchases. You may expect a prompt
and polite response." - Paul J. Katrich
Your questions and comments
are gratefully received,
by sending e-mail to
Luster@Katrich.com
or by phoning (313) 359-3400
To see a larger photograph,
please click on an image.

Fine Art Pottery
The pottery consists of fine,
hand-thrown ceramic vessels,
fired with rare colors and treatments,
including in-glaze iridescent lusters.
Each piece is utterly unique
in design and execution:
no repetition is possible.
Flawed or inferior examples are
destroyed: no second-quality Katrich
pottery is ever permitted to enter
the marketplace.
![[Small Line]](http://www.katrich.com/border2.gif)
The Pottery Marks
of Paul J. Katrich
From 1997-2005
his Registered Trademark
(a Grecian Sphinx)
was glazed and fired
onto the bottom
of the vessels.
![[ Trademark fired onto bottom of 2 vessels ]](http://www.katrich.com/trade_mk.jpg)
Beginning in 2006
his Registered Service Mark
(a Grecian Sphinx with
"Katrich" added below)
has been glazed and fired
onto the bottom
of the vessels.
![[ Updated Trademark of Paul J. Katrich ]](http://www.katrich.com/mark_kat.jpg)
![[Line]](http://www.katrich.com/border2.gif)
The Katrich Mark
A Personal Description by the Artist
"A Grecian Sphinx appears on all authentic ceramic works of Paul J. Katrich.
The Sphinx is a symbol shrouded in myth and antiquity; revered in many cultures.
"I adopted this signature to demonstrate respect for the artists of the ancient East,
whose pottery is a constant source of wonder. For me, the Sphinx is a guardian
of arcane knowledge and many mysteries.
"By tradition, the vessel held in her paws denotes life and special insight.
"She has faithfully served Katrich Studios, as a companion and good-luck token, for many years.
May she do as much for the possessor."
Paul J. Katrich
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Photography and website about Paul J. Katrich are by George A. Lees.
All text and graphics at this website are copyright protected.
The descriptions, designs and photography of the art, pottery and history of
Paul J. Katrich are copyright © 1995-2010 Katrich Studios, Inc., and all rights are reserved.
Individuals and entities may not reproduce, use, copy, plagiarize or otherwise
borrow anything without the express written permission of Katrich Studios, Inc.
Violators will be prosecuted to the full extent of U.S. and international copyright law.
The only exception is for limited, traditional "Fair Use",
where attribution to Paul J. Katrich must be indicated.
Additional text and photography with links about places, events and websites
are owned by their respective copyright holders. Katrich Studios, Inc.,
provides these links as a courtesy, and is not responsible for use of these
links or the content on other websites.
Your privacy: if you send us e-mail and paper addresses, they are only used to send tickets and information about Katrich Studios. We will not sell or give your addresses to others.
The Trademark of Paul J. Katrich,
shown on these pages and elsewhere,
is registered in the US Patent and Trademark Office,
and all rights are reserved.
The Service Mark of Paul J. Katrich,
shown in a menu and elsewhere,
is registered in the US Patent and Trademark Office,
and all rights are reserved.
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