Every Katrich Vessel
 
  All Vessels are Unique in Design and Execution
 
  Summer, 2008, for the Pottery Lovers Reunion Show in Zanesville, Ohio.
 
  Spring, 2008, for the American Art Pottery Association Show and Auction, Philadelphia.
 
  Winter, 2008, for the Arts & Crafts Conference in Asheville, North Carolina, and for The Showplace in Manhattan.
 
  Fall, 2007, for the NY Pier Antiques and Others Art Show, and for The Showplace in Manhattan.
 
  Summer, 2007, for the Pottery Lovers Reunion Show in Zanesville, Ohio.
 
  Spring, 2007, for the Arts & Crafts Chicago and American Art Pottery Association Shows.
 
  Winter, 2007, for the Arts & Crafts Conference in Asheville, North Carolina.
 
  Winter, 2007, for the New York Ceramics Fair, NYC.
 
  Fall, 2006, for the Fall New York Antiques and Fine Art Fair, NYC.
 
  Summer, 2006, for the Pottery Lovers Reunion in Zanesville, Ohio.
 
  Spring, 2006, for the AAPA Pottery Show, Dalton's in Syracuse, NY, and The Showplace in Manhattan.
 
  Winter, 2006, for the Arts & Crafts Conference, in Asheville, NC.
 
  Winter, 2006, for the New York Ceramics Fair, NYC.
 
  Fall, 2005, for the Pottery Expo in Old Greenwich, Connecticut, and for the Showplace.
 
  Summer, 2005, for the Wendy Fall Fair in NYC.
 
  Summer, 2005, for the Pottery Lovers Reunion in Zanesville, Ohio.
 
  Winter-Spring, 2005, for the AAPA Convention and Show in Cincinnati, Ohio.
 
  Winter, 2005, for the Arts & Crafts Conference in Asheville, NC.
 
  Fall-Winter, 2004-05, for the New York Ceramics Fair, NYC.
 
  Summer, 2004.
 
  Spring, 2004, for the Solo Exhibition in New York City.
 
  Winter, 2004, for the Arts & Crafts Conference in Asheville, NC.
 
  Winter, 2004, for the New York Ceramics Fair, NYC..
 
  Fall, 2003.
 
  Summer, 2003.
 
  Spring, 2003, for the AAPA Convention and Show, Cincinatti, Ohio.
 
  Winter-Spring, 2003.
 
  Winter, 2003, for the Arts & Crafts Conference in Asheville, NC.
 
  Fall, 2002.
 
  Summer, 2002.
 
  Spring, 2002.
 
  Winter, 2002, for the Arts & Crafts Conference in Asheville, NC.
 
  Fall-Winter, 2001-02.
 
  Summer, 2001.
 
  Spring, 2001.
 
  Winter, 2001, for the Arts & Crafts Conference in Asheville, NC.
 
  Fall-Winter, 2000-01.
 
  Summer, 2000.
 
  Winter-Spring, 2000.
 
  Fall, 1999, for the first Katrich Exhibition.
 
  Summer, 1999.
 
  Spring, 1999.
 
  Winter, 1999.
 
  Fall, 1998.
 
  Summer, 1998.
 
  Fall-Spring, 1997-98.
 
  Sculptural works made from 1995-1997.
 

Trademark of Paul J. Katrich Paul J. Katrich

Positively Unique and Rather Extraordinary
Luster Pottery




The Bells


by Edgar Allan Poe



[Iridescent Pottery by Paul J. Katrich (1100)]
[Iridescent Pottery by Paul J. Katrich (1100)]
"The Mercy Of The Fire"
Luster Vessel 1100 (14-1/2").

"The title comes from a stanza in
Edgar Allan Poe's famous poem, "The Bells":
Bells are "appealing to the mercy of the fire."
To a potter, fire is fundamentally a creative element.
I also enjoy the idea of fire as a source of
redemption or purification. The abstract flames
on this animated vase are striving for something
positive. You may be the judge of their objective."

[Description by Paul J. Katrich]



To see a larger photograph,
please click on an image.




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The Bells


by Edgar Allan Poe

- 1849 -



I

Hear the sledges with the bells
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells
From the jingling and the tinkling of the bells.

II

Hear the mellow wedding bells,
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten-golden notes,
And all in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the Future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells, bells,
Bells, bells, bells
To the rhyming and the chiming of the bells!

III

Hear the loud alarum bells
Brazen bells!
What a tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire,
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor,
Now - now to sit or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash, and roar!
What a horror they outpour
On the bosom of the palpitating air!
Yet the ear it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows:
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells
Of the bells
Of the bells, bells, bells, bells,
Bells, bells, bells
In the clamor and the clangor of the bells!

IV

Hear the tolling of the bells
Iron Bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
Is a groan.
And the people - ah, the people
They that dwell up in the steeple,
All Alone!
And who, tolling, tolling, tolling,
In that muffled monotone,
Feel a glory in so rolling
On the human heart a stone
They are neither man nor woman
They are neither brute nor human
They are Ghouls:
And their king it is who tolls;
And he rolls, rolls, rolls,
Rolls
A paean from the bells!
And his merry bosom swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells
Of the bells:
Keeping time, time, time,
In a sort of Runic rhyme,
To the throbbing of the bells
Of the bells, bells, bells
To the sobbing of the bells;
Keeping time, time, time,
As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells
Of the bells, bells, bells:
To the tolling of the bells,
Of the bells, bells, bells, bells
Bells, bells, bells
To the moaning and the groaning of the bells.




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Click Here to View
"The Mercy of the Fire"

Luster Vessel at the
New York Ceramics Fair - 2007


Click here to view
"Evening Star"

a luster vessel inspired by that
Edgar Allan Poe poem.




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This website contains a complete visual archive
of the ceramic works by noted Studio Potter
Paul J. Katrich. His pottery is part of
important, public and private collections.

We hope you find the same delight
from these images and information
as was found in creating the pottery.




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Internet Archive and History


We have kept this Internet archive since
the earliest existence of the vessels.
Believing Katrich Pottery to have permanent
value and historical resonance, we have
expended substantial resources, both material
and intellectual, to maintain this record.
In so much as possible, it is absolutely complete.

This documentation virtually assures the
authenticity and integrity of all Katrich vessels,
however far they may travel. Our collectors will
always enjoy total access to the true story of
their cherished pottery.

To our knowledge, no other studio pottery,
vintage or modern, can claim so sober and
comprehensive an account of unique work.
In the realm of ceramics, nothing comparable
has been attempted or so long preserved.

We welcome visitation from collectors, students,
scholars and pottery enthusiasts of every stripe.
Katrich Studios, Inc., is the ultimate authority
for the works of Paul J. Katrich.
We hope that you enjoy our efforts.


If any of these pictures do not appear,
click in the frame with the right button
(or hold down your Mac's mouse button)
and choose the option "Show picture".
A momentary problem with the Internet
may have occurred.



Schoolzone, UK Approved by Schoolzone's team of independent education reviewers
Our web site is highly recommended by Schoolzone,
Britains' premier educational site.



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Design and Lecture Services


Paul J. Katrich is a modern traditionalist.
He is also a degreed Art Historian
and frequent guest lecturer in the
fine and decorative arts.

An accomplished sculptor and artist in many media,
he offers a variety of professional design services.

"I am always delighted to speak to
you regarding your needs and interests.
I am pleased to discuss gallery and museum shows,
charitable events, commissions, lectures or
special purchases. You may expect a prompt
and polite response."
- Paul J. Katrich

Your questions and comments
are gratefully received,
by sending e-mail to
Luster@Katrich.com
or by phoning (313) 359-3400


To see a larger photograph,
please click on an image.






Fine Art Pottery


The pottery consists of fine,
hand-thrown ceramic vessels,
fired with rare colors and treatments,
including in-glaze iridescent lusters.

Each piece is utterly unique
in design and execution:
no repetition is possible.

Flawed or inferior examples are
destroyed: no second-quality Katrich
pottery is ever permitted to enter
the marketplace.

An artist-signed and sealed
"Certificate of Authenticity",
with the work's # and image,
accompanies each vessel.



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The Pottery Marks
of Paul J. Katrich


From 1997-2005
his Registered Trademark
(a Grecian Sphinx)
was glazed and fired
onto the bottom
of the vessels.

[ Trademark fired onto bottom of 2 vessels ]


Beginning in 2006
his Registered Service Mark
(a Grecian Sphinx with
"Katrich" added below)
has been glazed and fired
onto the bottom
of the vessels.

[ Updated Trademark of Paul J. Katrich ]



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[Katrich Registered Service Mark] The Katrich Mark

A Personal Description by the Artist


"A Grecian Sphinx appears on all authentic ceramic works of Paul J. Katrich. The Sphinx is a symbol shrouded in myth and antiquity; revered in many cultures.

"I adopted this signature to demonstrate respect for the artists of the ancient East, whose pottery is a constant source of wonder. For me, the Sphinx is a guardian of arcane knowledge and many mysteries.

"By tradition, the vessel held in her paws denotes life and special insight.

"She has faithfully served Katrich Studios, as a companion and good-luck token, for many years. May she do as much for the possessor."

Paul J. Katrich




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