Paul J. Katrich

Positively Unique and Rather Extraordinary
Luster Pottery
(for Unique and Extraordinary People)

A Katrich Treasury

The Artist's Choice of
Favorite Luster Vessels

"Hudson River Valley", 1105 (10-1/2"):
Adam Macagna Collection.

"This vase is an homage to the 19th Century
American painters of the Hudson River School.
The bucolic landscapes, glowing sunsets and
accomplished techniques of these artists provide
inspiration and challenge to their modern counterparts.

"Ceramic materials, properly handled, allow for
saturated colors. These can appear much like a
varnished oil painting. I experienced considerable
satisfaction in the making of this piece. It was
easy to lose track of time in the process."




"Over The Waves", 1074 (8"):
Dyroff Collection.

"Chevrons of light moving across a moonlit ocean."




"Magnolia", 1073 (6-1/2"):
Phillip Morici Collection.

"This vase is a true depiction of a magnolia tree
in my front yard. Like certain Japanese paintings,
it takes advantage of the "happy accident" to impart
life and motion."




"Midwestern Summer", 1011 (16"):
Everson Museum Collection.

"My impression of the landscape rapidly passing,
while driving rural roads in Ohio and Illinois
in high summer. The glaze was intended to recall
the azure sky, gold and green fields, and
sun-dappled trees. To me, cornfields, wild grass
and uncultivated trees are the unappreciated, natural
beauty of the common experience. They represent life,
vitality and well-being: the quintessential America.

"I was honored when this piece was chosen for the
permanent collection of the Everson Museum."




"The Trees That Stand Asleep", 1003 (16-1/4"):
Nickel-Horvath Collection.

"The title of the vase comes from a poem:
"Frost that brings no dying to the
trees that stand asleep."

"In my environment, I've learned to appreciate
the special beauty of winter. Depicted here is
dormant nature pulsing with potential life.
Nothing ever really dies."




"When Summer Ends", 0962 (13-3/4"):
Mobile Museum of Art Collection.

"This is my impression of the last hold of
summer, as it turns to autumn. Jackson Pollock,
an artist whom I admire, has exerted a sub-conscious
influence on my pottery: flows and drips are
natural to the glazing process."




"Sunrise, Sunset", 0942 (5-3/4"):
Private Collection.

"An entire summer day in three dimensions."




"Lost Horizon", 0870 (15"):
Ron and Miriam Forim Collection.

"The idea of a private Eden is very appealing:
tropical colors, perpetual sunlight,
mile-high waterfalls. This is the full chroma
of a sheltered, endless summer, where the
troubles of the world cannot intrude."




"Summer - August Dawn", 0804 (10-1/2"):
Nickel-Horvath Collection;
"Autumn" - When the Leaves Fall", 0815 (12"):
Nickel-Horvath Collection;
"Winter - The First Snowfall", 0810 (12-1/2"):
Private Collection in New York City;
"Spring - The Winds Of April", 0816 (10-1/4"):
Nickel-Horvath Collection.

"These vases were the keynote works for my solo show -
"Four Elements, Four Seasons", at the YWCA of the
City of New York Gallery, in 2004.

"They are true impressions of scenes from one of my windows
through the passage of a year. Although abstract, I
attempted to capture the color, movement and textures
of this universal theme."




"Frost and Fire", 0766:
Corbo-Lytwyn Collection.

"I often make pairings of opposites in my work.
Visual paradoxes can create considerable energy.
Where strangers meet, excitement begins."




Paul J. Katrich and his luster vessel
"A Midwinter's Night", 0678 (14-3/4"):
Nickel-Horvath Collection.

"Few things in nature are as peaceful as a
January night under a thick blanket of snow.

"This vase was a special creation for the
YWCA of the City of New York, in 2003. It was
sold at auction with all proceeds benefiting
the organization. At the time, it was the
largest-extant example of my work, achieving
a record price at public sale."

Internet Archive and History

We have kept this Internet archive since
the earliest existence of the vessels.
Believing Katrich Pottery to have permanent
value and historical resonance, we have
expended substantial resources, both material
and intellectual, to maintain this record.
In so much as possible, it is absolutely complete.

This documentation virtually assures the
authenticity and integrity of all Katrich vessels,
however far they may travel. Our collectors will
always enjoy total access to the true story of
their cherished pottery.

To our knowledge, no other studio pottery,
vintage or modern, can claim so sober and
comprehensive an account of unique work.
In the realm of ceramics, nothing comparable
has been attempted or so long preserved.

We welcome visitation from collectors, students,
scholars and pottery enthusiasts of every stripe.
Katrich Studios, Inc., is the ultimate authority
for the works of Paul J. Katrich.
We hope that you enjoy our efforts.

Design and Lecture Services

Paul J. Katrich is a modern traditionalist.
He is also a degreed Art Historian
and frequent guest lecturer in the
fine and decorative arts.

An accomplished sculptor and artist in many media,
he offers a variety of professional design services.
Mr. Katrich serves as Secretary on the Board of the
American Art Pottery Association.

"I am always delighted to speak to
you regarding your needs and interests.
I am pleased to discuss gallery and museum shows,
charitable events, commissions, lectures or
special purchases. You may expect a prompt
and polite response." - Paul J. Katrich

Your questions and comments
are gratefully received,
by sending e-mail to
Luster@Katrich.com
or by phoning
248-738-7720.


To see a larger photograph,
please click on an image.

Fine Art Pottery

The contemporary pottery of Paul J. Katrich
consists of fine, hand-thrown ceramic vessels,
fired with rare colors and treatments,
including in-glaze iridescent lusters.

Each piece is utterly unique
in design and execution:
no repetition is possible.

Flawed or inferior examples are
destroyed: no second-quality Katrich
pottery is ever permitted to enter
the marketplace.

The Pottery Marks
of Paul J. Katrich

From 1997-2005
his Registered Trademark
(a Grecian Sphinx)
was glazed and fired
onto the bottom
of the vessels.




Beginning in 2006
his "KATRICH" name was included
below his Registered Trademark
(a Grecian Sphinx), and then
glazed and fired together
onto the bottom of the vessels.

The Katrich Mark

A Personal Description by the Artist

"A Grecian Sphinx appears on all authentic ceramic works of Paul J. Katrich. The Sphinx is a symbol shrouded in myth and antiquity; revered in many cultures. "I adopted this signature to demonstrate respect for the artists of the ancient East, whose pottery is a constant source of wonder. For me, the Sphinx is a guardian of arcane knowledge and many mysteries. "By tradition, the vessel held in her paws denotes life and special insight. "She has faithfully served Katrich Studios, as a companion and good-luck token, for many years. May she do as much for the possessor." Paul J. Katrich

If an Image is Missing

If any images or graphics do not appear,
click in the frame with the right mouse button
(or hold down your Mac's mouse button)
and choose the option "Show picture".
A momentary problem with the Internet
may have occurred.

Largest Images

To see the largest images at Katrich Studios,
please click on a photograph or graphic.

Most images will open in a new window.
But, some web browsers will shink our large images,
to fit in the new window.

If the image is too small,
you can see the largest image possible in Windows:
1. Point your mouse at the image in the new window.
2. Click your right mouse button.
3. A menu will appear.
4. Left click on "Save Image" to download a file.
5. Then in your computer, double-click the image file.

This method works for most Internet images and graphics.

A free image viewer is IrfanView for Windows.
IrfanView opens most images and graphics.
It can also "capture" a picture of your Desktop screen,
when you can not save an image, for whatever reason.
Google "IrfanView" for the latest version.

Our web site is highly recommended by Schoolzone,
Britains' premier educational site.

Free Computer Access for People who are Blind or Cognitively Impaired If you know someone who is blind or cognitively impaired, our photographer, George Lees, who also was a Special Education Teacher, has written a guide on adapting Windows computers with free software. Please download and share this document.

Home

Every Vessel

Treasury

For Purchase

Videos

Show Schedule

History

Click Here for the
Facebook Page of Paul J. Katrich

All text and pictures at this website are copyright protected. The descriptions, designs, photography and videography of the art, pottery and history of Paul J. Katrich are copyright © 1995-2015 Katrich Studios, Inc., and all rights are reserved. Individuals and entities may not reproduce, use, copy, plagiarize or otherwise borrow anything without the express written permission of Katrich Studios, Inc. Violators will be prosecuted to the full extent of U.S. and international copyright law. The only exception is for limited, traditional "Fair Use," where attribution to Paul J. Katrich must be indicated. Additional text and pictures with links about places, events and websites are owned by their respective copyright holders. Katrich Studios, Inc., provides these links as a courtesy, and is not responsible for use of these links or the content on other websites. Your privacy: if you send us e-mail and paper addresses, they are only used to send tickets and information about Katrich Studios. We will not sell or give your addresses to others. The Trademark of Paul J. Katrich, shown on these pages and elsewhere, is registered in the US Patent and Trademark Office, and all rights are reserved.

---